614 Royalty-Free Audio Tracks for "Joseph Boulogne De Saint George"

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10:24
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
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00:32
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
01:55
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
03:46
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
05:29
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
03:09
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
02:43
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
00:29
Joseph Haydn: Die Schöpfung Bass Vocals – Kim Borg Choir – Chor Der St. Hedwigs-Kathedrale Conductor, Harpsichord – Igor Markevitch Orchestra – Berliner Philharmoniker Soprano Vocals – Irmgard Seefried Tenor Vocals – Richard Holm
Author: Igor Marketvitch, Berliner Philharmoniker
00:00
01:33
Riches d'amour et mandians d'amie
Author: Guillaume de Machaut, versão midi de Tetraktys
00:00
02:60
Moteto Vos qui admiramini
Author: Philippe de Vitry
00:00
00:22
Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).
Author: Hyacinth
00:00
06:25
Audio - Parachicos Bailando
Author: Author Unknown (Anonymous). Popular song.
00:00
01:02
The Spanish national anthem, recorded by United States Navy Band. Himno oficial de España, grabado por la Banda de la Marina de los Estados Unidos.
Author: Untitled
00:00
03:10
Black and White Rag (1908), composed by George Botsford and performed here by James Brigham.
Author: Untitled
00:00
00:33
Period (two phrases) in Haydn's Feldpartita.
Author: Hyacinth
00:00
00:14
Lanner's Schönbrunner, Op. 200, No. 4, mm. 17-23
Author: Hyacinth
00:00
00:12
Periodizität in Joseph Haydn Klaviersonate Hob. XVI/1
Author: Joseph Haydn (seit über 100 Jahren tot)
00:00
00:12
Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars, in D mode (not the original mode: made to provide an example of the influence of the mode); made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures, en mode de ré (ce n'est pas le mode original, il s'agit d'un exemple pour montrer l'influence du mode) ; fait avec LiLypond
Author: This file is lacking author information.
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04:32
Kyrie da Missa Notre-Dame
Author: Guillaume de Machaut, versão midi por Tetraktys
00:00
01:12
MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237
Author: Future Perfect at Sunrise
00:00
01:07
Luxemburg, Dom zu Unserer Lieben Frau, Glockenspiel und Stundenschlag. Esperanto: Luksemburgo (LU), katedralo je Nia Sinjorino, kariljono kaj hora sonorado. Luxembourg (LU), cathédrale de Notre Dame, carillon et l'heure sonnante. Lëtzebuergesch: D'Stad Lëtzebuerg, Kathedral Notre-Dame, Klackespill an Stonneschlag.
Author: Renardo la vulpo
00:00
00:12
Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars; made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures : fait avec LiLypond
Author: This file is lacking author information.
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00:12
An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.
Author: Untitled
00:00
04:35
Title/Work: Trumpet Concerto in E Flat Content: - Genre(s): Chamber music Author(s)/(Composer(s): Joseph Haydn (1732-1809) Music arranger(s): none Lyricist(s): none Performer(s): Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980) Conductor: George Weldon (1908-1963) Place of recording: EMI Studio No. 1, Abbey Road, London (United Kingdom) 1st release date: 1949 1st recording date: 19 June 1946
Author: Untitled
00:00
00:18
Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.
Author: Hyacinth
00:00
08:05
The first movement, "Jubilee", from George Whitefield Chadwick's Symphonic Sketches, played by the U.S. Marine Band for the album Director's Choice.
Author: Composition: George Whitefield Chadwick Transcription: Howard Bowlin, United States Marine Band Performance: United States Marine Band
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02:56
Čeština: Ragtime Nightingale - Joseph Lamb
Author: Johnny Wittwer, Joseph Lamb 1945
00:00
01:11
Os escravos de Jó
Author: Melody: trad.; setting & sound file: Rabanus Flavus (Peter Gerloff)
00:00
00:37
The Old 100th psalm tune; image source from http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=194; from the 1551 Genevan psalter.
Author: Hyacinth
00:00
01:25
Short sample of Entre dos Aguas (Between two seas) by Paco de Lucia, played by Michael Laucke
Author: Michael Laucke
00:00
04:50
Balada Fuions de ci
Author: Jacob de Senleches, versão midi de Tetraktys
00:00
06:51
Português: Versão em áudio de "Cantata à morte de Inês de Castro" de Bocage
Author: Leni
00:00
02:46
Songː "Derecho Viejo". Authorː Eduardo Arolas (1892-1924). Play byː Julio de Caro Orquestra. 1936 Temaː "Derecho Viejo". Autorː Eduardo Arolas (1892-1924). Interpretado porː Orquesta de Julio de Caro. 1936
Author: Eduardo Arolas (1892-1924)
00:00
03:37
Wax disk was copied to 78rpm acetate disk around 1960 then transferred to CD Rom in the 1980s and finally downsampled to consumer format. Original wax disk still held by family.
Author: Untitled
00:00
08:22
Camille Saint-Saëns's grand march Orient et Occident (Op. 25), played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.
Author: Composition: Camille Saint-Saëns Performance: United States Marine Band
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00:29
Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.
Author: Hyacinth
00:00
00:13
An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] This is an edited version: speed and pitch have been corrected to reflect Édouard-Léon's voice, noise was removed. Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Cette version a été éditée de manière à mieux refléter la voix de Scott de Martinville : la vitesse a été réduite, la tonalité a été baissée et le bruit a été réduit
Author: Untitled
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00:33
Auf de schwäbsche Eisebahne
Author: Melodie: trad; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
00:00
00:52
De Runner von Hamburg
Author: Melodie: traditionell; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
00:00
03:10
Surrexit Dominus Vere - Moteto da Procissão da Ressurreição.
Author: Manoel Dias de Oliveira (midi file by User:Tetraktys
00:00
02:54
Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946
Author: Untitled
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